Mar 7, 2014 – Oct 12, 2026
All-time · 24h
All-time, in your own key.
That is everything since March 2014 — everything below is worked out from that period only, with days measured in UTC.
Your mood held steady across everything since March 2014, landing in euphoria. You played on 2135 of those 4603 days, across 4476 artists.
Kendrick Lamar led the way — 6% of everything you played. 15% of it happened at night.
Where you could go next
- Ty Dolla $ign could carry a whole session rather than a corner of one. You put Ty Dolla $ign on alongside Kendrick Lamar, but only 188 plays of their own.Listen ›
- rap sits right next to the hip hop at the centre of your listening, and Childish Major is the way in you already have.Listen ›
- Have you ever gone back to “0 To 100 / The Catch Up”? You have given Drake 2369 plays in this period, and “0 To 100 / The Catch Up” only 3.Listen ›
Your listening clock
Your listening peaks at 6 PM, and 14% of it falls between 9pm and 5am.
What you were reading
“Clouds Never Get Old” — Bas
13 days in a row in February 2016, 33 plays in all — and not once in the 9 years since. Listen ›
“untitled 07 | 2014 - 2016” — Kendrick Lamar
13 days in a row in March 2016, 30 plays in all — and not once in the 7 years since. Listen ›
“LOYALTY. FEAT. RIHANNA.” — Kendrick Lamar
11 days in a row in May 2017, 19 plays in all — and not once in the 2 years since. Listen ›
JAY-Z
760 plays between October 2014 and February 2026. Silent for 8 months. Listen ›
Mick Jenkins
678 plays between January 2015 and October 2025. Silent for 12 months. Listen ›
The Weeknd
607 plays between October 2014 and March 2026. Silent for 7 months. Listen ›
Big K.R.I.T.
557 plays between October 2014 and April 2026. Silent for 6 months. Listen ›
Joey Bada$$
526 plays between May 2014 and December 2025. Silent for 10 months. Listen ›
Counted from your whole history, not just this period.
Mood across the period
The emotional shape of the period rather than its volume: each bar is coloured by the feeling of the music played in it, above the midline when the music ran bright and below it when it ran sombre. It is only drawn when the mood actually moves — a period that held one register is described in a sentence instead, because a chart of twelve identical bars would imply a shape that is not there.
How this is worked outMood is ESTIMATED FROM THE GENRES you play, not measured from the audio: Spotify withdrew its audio-features data in 2024, so each genre carries a brightness and intensity measured across a large reference set, and your plays are scored against those. That is a fair reading of a taste and a weak one of any single track — two songs by the same artist score alike. Plays are averaged into a single brightness value per bar and coloured by the mood family it falls in. A bar is a day on short periods; on longer ones days are grouped into weeks (and months into quarters) so each bar stays wide enough to read and carries the dates it covers. The average is weighted by plays, so a busy day counts for more than a single track, and stretches with no plays are drawn flat and greyed rather than omitted.
Your mood held to one register the whole way through — every stretch landed in happy / energised. There is no shape to chart, which is its own kind of answer: this is a settled taste rather than a fluctuating one.
Mood is read from your music — audiobooks and podcasts are not scored — and estimated from the genres you play rather than the audio itself.
Each bar is that artist’s share of every play in the period.
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